Alright, I covered the whole show, I talked about the episodes I liked, I gave some points of criticism… Today, I am letting it all
out. My criticism, I mean. I will go back quickly on 24 little things I noticed
in Code Lyoko that may annoy some people. Maybe I’m making a CinemaSins of
myself, maybe I’m just complaining because complaining on the Internet is fun…
Either way, I stay true to my word: I like the show. But I understand why
someone might not. Here are 24 problems, ranging from minor to major, that can
be found in Code Lyoko. Note that I did not include all of the criticisms I
brought up in the previous six parts – I kept the more important ones. If you know
the show, and there are other things that annoy you about it that I haven't covered, feel free to
share them. I like reading your opinions.
24. The doors are a CGI show-off
Starting with Season 2, the show started using CGI
also in some scenes of the real world – usually for doors. Only problem is, the
doors created this way swing on their hinges back and forth. Look, I’m sure such doors exist in high schools and dormitories – only
problem is, the CGI on these particular doors looks incredibly fake, and their
swinging back and forth just looks like the animators are showing off their
blending of the 2D and CGI parts. Plus, I doubt such doors would be so widespread around a French high school campus. They're practically everywhere.
23. Variable computer science
The show may stretch and pull your suspension of
disbelief like an elastic and stop just before it breaks – but it also does
this to computer science. Sometimes, new programs take weeks or months to code;
other times they take mere hours. When the supercomputer is turned off, or
loses power, or rebooted, Lyoko won’t work as well, yet any Lyoko-Warriors
inside it will still somehow be aware. It all depends on what direction the writers want an episode to take. Add this to the pile of things that
aren’t consistent in the series.
22. No deduction skills?
Even when it's ridiculously obvious where they're going, they still make sure to waste every possible second before delivering their big shocking twist. |
21. Project Carthage: Forgotten
This relates to the myth arc regarding Franz Hopper
and XANA. In Season 2, it’s revealed that Hopper created XANA as a multi-agent
program during Project Carthage, an ultra-secret project, which is why his family was then targeted by
men in black… and, thus, why he and Aelita fled to Lyoko. There are still hints
of this when Jérémie tries to figure out the password to call the transporter
that would bring his friends to Sector 5 (SCIPIO). However, that plot element
is dropped. What was Carthage about? Why did it require XANA? Why did it make the Men in Black target all of Hopper's family? Either the writers forgot, or decided they’d
rather not talk about it.
After all, you can't make a lot of jokes about being chased relentlessly by dead-serious Men In Black... |
20. A spoiler in the ending credits!
Talking about backstory, starting with Season 2, the
end credits show Classified files that include pictures of Franz Hopper as well
as documents about him. It shows him with a wife, it shows him among the
teachers of Kadic. I repeat: It shows him with a wife. Who has a slight resemblance with
Aelita. In other words, the show spoiled its second season’s biggest revelation
right from that season’s first episode. Good work! You may count it as foreshadowing... in which case it's probably the most obvious clue that would allow the viewers to figure out the big twist very early on.
19. …An army of robots
Yup. That was XANA’s world takeover plan all along.
Still disappointing as all Hell.
18. Jérémie’s programming failures
One of Jérémie's programming failures; we had a group of Odd consuming all the hair gel in the ten-kilometer radius for their eccentric haircuts. |
17. The “No Deaths” clause
One thing established from the very first episodes,
and reinforced throughout the show with the numerous times the characters are
second away from death, is the “No Death” clause. Basically, Return to the Past
reverts the world anywhere from a few hours to two days back, but will not
negate deaths, making them indeed permanent. The reason is simple: This is a
kid show, therefore it shouldn’t have such heavy subjects. However, one
question is never answered: How did they learn that death wouldn’t be reverted
by the reset button? Was it written somewhere in the program when Jérémie
discovered it? Or… did they find out the hard way, early on in their careers as
heroes? Come to think of it, why wouldn't deaths be reverted if the supercomputer is able to replicate a whole day's worth of actions so perfectly? Sleep well, kids!
16. Stupid XANA plans
Yup, a food golem. I wasn't kidding about that one. To be fair, a can to the head really does freaking hurt. |
15. Impossible XANA plans
In the same vein, while I can forgive the polymorphic
clones, the possessions, and other similar things, I don’t see how XANA could
achieve some of the other things it’s done. It once removed all gravity on the
campus. The reason given in the show was bogus. Another day, it literally sunk
the Academy multiple floors into the ground. How? Nobody knows! What about that
time he unleashed the coldest winter of all time upon Kadic? Even with all the
power this program gained, there are still things that it shouldn’t have been
able to do. That or, it’s gotten a really incredible grip on quantum physics…
14. No proper intro until Season 3
"XANA Awakens" should have been the first two episodes. |
13. Variable intelligence adults
There is something about TV shows and cartoons in
general that is known as “Depending on the story”. This is when characters
start behaving in some way only because that’s what is needed for the current
story to work. In Code Lyoko, the adults are struck by this pretty badly; one day they
will respond to the crisis in an intelligent manner, bringing the children to a
safe place. Another day, they’ll be complete imbeciles who confiscate all the
cell phones when they mysteriously start ringing all at the same time, and then
try to take down every signal tower in town. The level of intelligence of these
people, who are teachers for the most part, varies greatly from episode to
episode. This gets toned down in later seasons, when the adults start picking
up on some of the heroes’ antics and actually keep a rather reasonable level of
intelligence regardless of plot.
12. Odd’s Future Flashes
That power of premonition that Odd had in Season 1,
which was such a blatant way to increase drama that even the writers decided to
take it out of the show. And good riddance.
11. Casanova Odd
A recurring gag in the show, starting with Season 2,
is that Odd just can’t stop flirting with every girl on the campus. Well, with every
girl his age, but still. The joke soon deviates to “Odd gets hated
by every girl that dates him”, because karma is cruel. It does
start off as pretty funny, but after a while it just becomes annoying. Like
many comical side-stories on the show, this only shows up once every few
episodes, whenever the writers can milk a joke out of it, so it’s not too bad.
10. Sissi… What a pest!
Plus all of her moments where she's nagging Ulrich or purposely looking for trouble with the gang... |
9. Aelita the useless
Aelita started out as a disliked character for many
reasons. At first, her only power was to change the layout of the field,
summoning barriers or removing floors and similar things. But aside from that,
she had no actual offensive talents, meaning she always had to be protected.
She was a breathing, walking escort mission, with the sole bonus being that the
Lyoko-Warriors only needed to open a way for her towards the tower by killing
XANA’s mooks. Sure, in Season 2 she started fighting back, and in Seasons 3 and
4 gained new abilities that let her fight alongside her friends, but it was
still an escort mission; she had to survive, go into that tower and deactivate
it. However, for the first two seasons, something about her annoyed a lot of
fans.
8. The Aelita-XANA dilemma
Talking about Aelita… This point is about the question
that pops up in “XANA Awakens” and is maintained for all of Season 1. Should they risk keeping the supercomputer turned on and letting a mankind-hating AI pull
all kinds of nasty plans on unsuspecting people, all to save another AI with a
pretty face? Or should they sacrifice that pretty AI to ensure mankind isn’t
endangered? This question was a sword of Damocles over the show’s beginnings,
with many fans raising that point out of simple logic. I mean, have you seen
the kind of shit XANA is able to pull? He almost wins in every single episode!
Most people would say “sorry, Aelita” and turn off the whole thing. But Jérémie
would not allow this to happen. In the end, it turns out he was right, Aelita
really was a human virtualized on Lyoko; but it also endangered the world for
two whole years…
7. The protagonist-centered morality of the early
seasons
Here shown: A Return to the Past, just to illustrate the point. |
6. Yumi, professional XANA victim
By her status, Yumi is an easy victim for XANA to pick
on. She lives with her family; she’s a year older and, thus, not in the same
class as her friends. On top of that, she doesn't like having to save the world. These may be the reasons why the malevolent program
seemed to pick on her more often than it picked on the others. On one hand,
it’s perfectly logical; on the other, it becomes pretty glaring after a while.
When the fans come up with a term for it, you know it’s become a problem.
Granted, Aelita would become a justified victim of XANA afterwards, but Yumi
would still seem to be more frequently the one that all misfortunes happen to –
whether it’s in the fight against XANA, or in the students’ everyday lives on
the campus.
5. God Damn It Odd
That time Odd had one of his famous "God Damn It Odd" moments but received punishment for it. Disco-dance, Odd! Dance all night long! |
4. Ulrich and Yumi’s infinite romantic tension
Oh, Yumi... This is just Season 1. You have no idea yet what he's like when a competitor appears. |
3. Life Points mean nothing
Lyoko doesn’t have a clear system. Sure, there are
abilities, there are monsters, and there are attacks, but no clear system about
Life Points. They merely serve to increase drama when the protagonists are
fighting on Lyoko. It’s as I said: One day, a laser from a Tarantula will deal
10 Life Points of damage to a hero, the next a single shot from a Kankrelat
will take down 60 Life Points. I know why the writers keep this feature
unclear: So that they can make the story go just the way they want it to go.
Need Aelita to end up alone on Lyoko? Have the others all get devirtualized
quickly, showered with blasts from the enemies. Need one to come back to the
real world to face whatever’s causing the danger at the moment? Quick
devirtualization! Make things harder on Lyoko? Have only one of them still on Lyoko with Aelita, against the remaining monsters! It becomes pretty obvious after a while that the Life Points are
really just there to balance the drama so that so that the plot goes according
to plan.
2. The overuse of stock clips
The most obvious stock clip sequence: When a Return to the Past is activated. |
-The group is rushing to the factory;
-The Lyoko-Warriors are being virtualized;
-The main characters are on Lyoko;
-Aelita is deactivating a tower (this one, in
particular, is pretty bad, as it’s always the same sequence. It changes a
little in Seasons 2 and 4, but otherwise it’s always the same thing)
-Jérémie is typing or launching programs on the
supercomputer’s control station, in particular the Return to the Past.
It becomes very obvious, and it often leads to issues
when the stock clips don’t follow exactly the situation (causing continuity
errors). Thankfully, every season has also seen a few changes here and there,
meaning the creation of new stock clips or replacements of old ones – this is
especially notable in Season 4, when all the characters change outfits,
including on Lyoko. You can tell they are at least aware of the problem and
shook up the formula precisely to avoid being told that they’re never using
anything else than the early stock clips.
1. Always so close to losing
And now, the ultimate indication that this show
cultivates drama just to keep the audience in their seats: Every time the heroes win,
it’s always a second or two before they would lose. Someone would be close to
death, XANA’s plan would almost work. Aelita would deactivate the tower at a
snail’s pace, and XANA’s influence in the real world would stop. Always a few seconds before
the bus hits the nuclear power plant, or befire a character falls from a deadly height, or whatever else the situation was. In the first season, episodes where this
didn’t happen were quite rare. There’s only so many times that a trope can be
used before people start seeing the pattern in a show and become disinterested in it. The rate of in extremis victories did decrease afterwards, not every situation ended in a risk of
death. This was yet another improvement on the show once it found its footing, early on
in Season 2. They wouldn’t completely get rid of it, though, so quite a few
episodes would still end with them stopping XANA’s attack just in time before
there are casualties. I guess it works for kids, who don’t mind this sort of
thing, but an adult might be annoyed at the frequency at which this trope is used.
One second later, the trains would have collided. |
One second later, that laser would have made a half-Yumi. |
I,m not posting every example, but you get the idea.
And this is it, this covers every single thing I had
to say about Code Lyoko. Phew! I’m done with that show. I’m putting this behind
me. If you liked this long as Hell review, be sure to check out the show; you
might end up enjoying it.
And with this, we’re now in December! I’ll write a few
more reviews to finish the year. Let’s see… write two quick Wii reviews, maybe
a Steam Pack or two… Things should go pretty quickly now. Okay, goodbye!
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