(Once again, I tried to write this with the fewest spoilers possible, but some may have slipped through – read at your own risk!)
I don’t think we realize just how spoiled we’ve been by Pixar. Even if the company has had its ups and downs, as well as its controversies (looking at you, Lasseter), their output has still been, for the most part, stellar. Roughly three of their films out of four have racked up aggregator scores of 90% of higher. We expect Pixar to be a seal of quality, and as a result we tend to put that studio specifically to an even higher standard than the others. Almost to an obsessive degree; I swear there are people who take delight hearing about the cinematic missteps the studio has had, and knocking them down a peg.
And that’s… not great? I wouldn’t call that a healthy way to look at media, anyway. In the grand scheme of things, Pixar movies usually do things so well that we are often left with mostly minor critiques, aside from the occasional greater problem (and even then, it’s usually in regards to the story). When they release real clunkers, we remember them, because we know just how high their usual level of quality is. I know Toy Story 4 has its detractors, and it does have its issues, especially regarding character development and its conclusion. But it’s still a good movie. It’s not “The worst thing I have ever seen, oh my God!” …If you say that about any Pixar film, go watch The Emoji Movie and then come back. You clearly need some new perspectives. No, go, I insist. Only by suffering through torture do you get to truly enjoy the good in life.
That attitude seemed to permeate the entire existence of Toy Story 5, directed by Andrew Stanton and released to theaters on June 19th, 2026. It began at its first announcement (“Oh great, they’re beating the dead horse again”) and continued through other reveals that soured opinions quickly. “What do you mean, Woody is back with the toys??” Or: “Oh, so it’s Toys vs. Technology? Really?” Which was followed in one of two ways: Either, “What business do Disney and Pixar have to lecture us about tech, especially after Disney’s (now-defunct, thank God) AI deal?” or “They’re gonna say the toys are the only good ones and it’s gonna be 100 minutes of old men yelling at clouds.”
Sigh. All ye of little faith, I say, hypocritically. See, I, too, was fully prepared to have those exact thoughts. Until I remembered Coco, Soul, Elemental, Inside Out 2, Elio and Hoppers.
The story
The gang of toys has been adapting nicely to living with Bonnie (Scarlett Spears), without Woody (Tom Hanks). The little girl has promoted Jessie (Joan Cusack) to sheriff, and the cowgirl has been taking her role as leader of the toys seriously, taking Buzz Lightyear (Tim Allen) as her second-in-command. Buzz is still in love with Jessie but has been incapable of asking her to officialize this. (Even Bonnie’s wedding-themed playtimes don’t seem to help him with finally spitting it out.)
Bonnie is a very shy kid, and she struggles to make friends with other children in the neighborhood. It doesn’t help that most kids in the area have already fallen to the great threat of… *gasp* Technology! Staying in their houses all day staring at screens! Bonnie’s parents come to a similar conclusion; to make friends, perhaps their daughter needs a tablet of her own. The LilyPad (Greta Lee) arrives in the household shortly afterwards.













