Ha! Vindication with a side of schadenfreude! (As always, spoiler alert, just in case!)
Coyote vs. ACME would have been just the latest Looney Tunes movie had it not had its tumultuous existence. It would have been the latest attempt at Roger Rabbit-ing the Tunes into our world, albeit with a focus we've never had before. It doesn't sound like this production directed by Dave Green ran into many issues; its life after completion, however, is a different story. Warner Bros. and its CEO David Zaslav originally shelved the finished and ready film, planning to use it as a 30M$ tax write-off for the deeply indebted studio.
This was not the only movie to suffer this fate, with the other most-cited feature being Batgirl, which DC fans were piiiiissed to learn about. This only shed further light on WB's shady practices regarding finished products, as well as their complete disregard for existing products and properties. Like, say, that time they were seen filling dumpsters with pieces of physical movie history, studio assets, and other elements of marketing.
Through some goddamned miracle, the movie I'll talk about managed to escape this grim fate. Its distribution rights were purchased by Ketchup Entertainment, who also released The Day The Earth Blew Up: A Looney Tunes Movie last year (I saw it, it's good too). And it was released to North American theaters on August 28th. I'm told not every theater could get it, and it may have a limited run considering Ketchup is an indie company, so it may not even stick around a full month, even in theaters where it did get released. Still, that it saw a wide release at all is cause for celebration.
Coyote vs. ACME currently sits at over 90% in both critic and audience scores on RottenTomatoes. To think we almost could have never seen this. I think it is funny that, between my review of Space Jam: A New Legacy (where I made one joke at his expense) and this feature's release, Zaslav announced his retirement from the role of CEO at Warner Bros. Good riddance. I should've been a lot nastier to the guy. However he is apparently coming out of it close to a fucking billion dollars richer, while WB has accumulated so much debt that it keeps trying to get re-bought by new companies, and then putting THOSE in debt by association! How much goddamn sense does THAT make?? Fucking golden parachutes, I swear.
So, uh, if you hate Zaslav and everything he stands for, maybe help by going out to see this movie in theaters and help it make way beyond the 30 mil$ it was supposed to give WB back? No, seriously. Even putting aside my upcoming review. I want it to make fuckin' BANK. That would be a statement.
This film is inspired by a 1990 short story from The New Yorker, an epistolary (look at me today with the big words) tale told entirely through a reprinted court document detailing the proceedings of a lawsuit. In said document, Wile E. Coyote, the forever Road Runner-hungry supergenius, takes ACME to court over the repeated and demonstrable failures of their toony products. This being a 100-minute movie, you can imagine it takes things a fair bit further!
The story



























